I’m a Local Government lifer, Musician and Linux dabbler. This is a large and sprawling disorganised mess - a bit like me really. I’m interested in lots of things at the same time but a LOT of music. I’m not really doing this for any particular purpose other than being an old-ish dog learning some new tricks
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Chronic Town is the debut extended play by American alternative rock band R.E.M., released on August 24, 1982, on I.R.S. Records. Containing five tracks, the EP was recorded at the Drive-In Studio in Winston-Salem, North Carolina, in October 1981, eighteen months after the formation of the band.
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Norman is the little fox of last years litter. I have a group of foxes I feed and I’m on about the 5th of 6th generation so I wanted to add a few videos and pics to this site and it’s also given me an excuse to learn how to set up video shortcodes in Hugo.
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Two days after his 100th birthday, Marshall Allen started recording New Dawn, his debut solo album. A member of Sun Ra’s Arkestra since 1958, Allen assumed leadership of the band in 1995. Throughout his nearly seventy-year career, Allen has never released a solo album under his own name, and yet, instead of capping such a legendary output, New Dawn seems to herald a new beginning. A love letter to spacetime, it channels a century of musical intelligence into seven tracks, showing Allen at his most protean — freely moving from relaxed, transdimensional palettes to bluesy big band and beyond.
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Experiments with a Hugo gallery theme.
I built this which is a hugo generated gallery from this theme:
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Os Afro-sambas is a 1966 studio album (that should not be confused with the album of the same name and different artwork recorded live) by Baden Powell and Vinícius de Moraes. The live album is ranked number 29 on Rolling Stone’s list of 100 Greatest Brazilian Albums.
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Noura Mint Seymali hails from a Moorish musical dynasty in Mauritania, born into a prominent family of griot and choosing from an early age to embrace the artform that is its lifeblood. Yet traditional pedigree has proven but a stepping-stone for the work Noura and her band have embarked upon in recent years, simultaneously popularizing and reimagining Moorish music on the global stage, taking her family’s legacy to new heights as arguably Mauritania’s most widely exported musical act of all time. Gamely wielding the griot’s idiom, a form itself distilled from centuries of trans-Saharan musical knowledge, Noura Mint Seymali’s sound as heard on this record carves out a unique position in the musical cartography of West Africa, at once her country’s leading proponent of the avant garde and yet a rigorously devoted tradition-bearer.
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