Bobbie Gentry’s second studio album and her masterpiece. The Delta Sweete is a concept album based on modern life in the Deep South. Gentry wrote eight of the album’s 12 tracks, which detail her Mississippi childhood and includes vignettes of home and church life (“Reunion” and “Sermon”), as well as recollections of blues and country hits she heard as a youngster (“Big Boss Man” and “Tobacco Road”). The song “Okolona River Bottom Band”, accented by a sophisticated horn chart and breathy strings, used the same basic cadence as “Ode to Billie Joe”.

Blind Owl Wilson - Compilation Blind Owl Wilson was a truly great guitarist and vocalist whose deep wellof psychedelic blues songs were buried amongst the catalog of major label rockin’ blues band Canned Heat. Blind Owl served as Canned Heat’s guitarist and would chip in a song here and there as a front man. A couple of those songs became huge hits in the 60’s – “Going Up The Country” and “On The Road Again”. Blind Owl’s songs for Canned Heat stood in stark contrast to the bands blustery blues rock – his was a gentle and nuanced voice and the themes of his song were all about personal heartbreak, grasping for cosmic understanding, and ecological justice.

LThe Mummies are an American garage punk band formed in San Bruno, California, in 1988. Exhibiting a defiantly raw and lo-fi sound, dubbed “budget rock”, the Mummies’ rebellious attitude and distinctive performance costumes exerted a major influence on garage punk and garage rock revival acts later in the decade, as well as in the 1990s. Their recorded output was intentionally completed with poor, cheap equipment, including their first and only studio album Never Been Caught, which was released after the group’s initial break-up.

Barafundle is the fourth album by Welsh psychedelic folk band Gorky’s Zygotic Mynci, which was released 7 April 1997 in the United Kingdom. The album’s title comes from the name of a beach in Pembrokeshire, Wales.

Elektrik Karousel It’s an evolution of the Cut-Up experiments of the earlier albums where Julian House developed a musical style that mirrored his collaged design work. House, with help in the studio from Broadcast, Julain House weaves his samples into a rich tapestry of electronics, fuzzed guitar and processed exotic instrumentation together with fractured skipping rhythms and submerged melodies. There’s a weird alchemy at work that manages to distil essences of jazz, psychedelia and soundtracks into something utterly unique. For a clue to its moods, think Czech animation, Italian Giallo, early Radiophonics, HP Lovecraft stories, 1960s underground cinema, Lewis Caroll and baroque psych.