Blind Owl Wilson - Compilation Blind Owl Wilson was a truly great guitarist and vocalist whose deep wellof psychedelic blues songs were buried amongst the catalog of major label rockin’ blues band Canned Heat. Blind Owl served as Canned Heat’s guitarist and would chip in a song here and there as a front man. A couple of those songs became huge hits in the 60’s – “Going Up The Country” and “On The Road Again”. Blind Owl’s songs for Canned Heat stood in stark contrast to the bands blustery blues rock – his was a gentle and nuanced voice and the themes of his song were all about personal heartbreak, grasping for cosmic understanding, and ecological justice.

LThe Mummies are an American garage punk band formed in San Bruno, California, in 1988. Exhibiting a defiantly raw and lo-fi sound, dubbed “budget rock”, the Mummies’ rebellious attitude and distinctive performance costumes exerted a major influence on garage punk and garage rock revival acts later in the decade, as well as in the 1990s. Their recorded output was intentionally completed with poor, cheap equipment, including their first and only studio album Never Been Caught, which was released after the group’s initial break-up.

Barafundle is the fourth album by Welsh psychedelic folk band Gorky’s Zygotic Mynci, which was released 7 April 1997 in the United Kingdom. The album’s title comes from the name of a beach in Pembrokeshire, Wales.

Elektrik Karousel It’s an evolution of the Cut-Up experiments of the earlier albums where Julian House developed a musical style that mirrored his collaged design work. House, with help in the studio from Broadcast, Julain House weaves his samples into a rich tapestry of electronics, fuzzed guitar and processed exotic instrumentation together with fractured skipping rhythms and submerged melodies. There’s a weird alchemy at work that manages to distil essences of jazz, psychedelia and soundtracks into something utterly unique. For a clue to its moods, think Czech animation, Italian Giallo, early Radiophonics, HP Lovecraft stories, 1960s underground cinema, Lewis Caroll and baroque psych.

The Heliocentrics’ albums are all confounding pieces of work. Drawing equally from the funk universe of James Brown, the disorienting asymmetry of Sun Ra, the cinematic scope of Ennio Morricone, the sublime fusion of David Axelrod, Pierre Henry’s turned-on musique concrète, and Can’s beat-heavy Krautrock, they have – regardless of the label on which they’ve released their music – pointed the way towards a brand new kind of psychedelia, one that could only come from a band of accomplished musicians who were also obsessive music fans. Drummer Malcolm Catto and bassist Jake Ferguson are the Heliocentrics’ masterminds and producers, and they are obsessive weirdos in today’s musical climate, searching, progressive humans who are often out-of-time with current trends.