A selection of magical rocksteady music from one of the masters of the genre…One of the forerunners in Jamaican music from its very beginning, Derrick Harriott, along with a stellar cast, showcases the some superb rocksteady.
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Barafundle is the fourth album by Welsh psychedelic folk band Gorky’s Zygotic Mynci, which was released 7 April 1997 in the United Kingdom. The album’s title comes from the name of a beach in Pembrokeshire, Wales.
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East of Eden were a British progressive rock band, who had a Top 10 hit in the UK with the single “Jig-a-Jig” in 1970. The track was stylistically unlike any of their other work. Although some might consider them a symphonic progressive band, others state that their style is mostly jazz-oriented
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Elektrik Karousel It’s an evolution of the Cut-Up experiments of the earlier albums where Julian House developed a musical style that mirrored his collaged design work. House, with help in the studio from Broadcast, Julain House weaves his samples into a rich tapestry of electronics, fuzzed guitar and processed exotic instrumentation together with fractured skipping rhythms and submerged melodies. There’s a weird alchemy at work that manages to distil essences of jazz, psychedelia and soundtracks into something utterly unique. For a clue to its moods, think Czech animation, Italian Giallo, early Radiophonics, HP Lovecraft stories, 1960s underground cinema, Lewis Caroll and baroque psych.
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Caetano Veloso is the third self-titled album by Caetano Veloso. It was recorded in England, when the artist was in an exile imposed by the Brazilian military dictatorship for being subversive. It is mostly sung in English and portrays a sad tone throughout, reflecting his feelings about homesickness and the absence of his family and friends. It was released first in Europe, and then in Brazil, in 1971.
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The Heliocentrics’ albums are all confounding pieces of work. Drawing equally from the funk universe of James Brown, the disorienting asymmetry of Sun Ra, the cinematic scope of Ennio Morricone, the sublime fusion of David Axelrod, Pierre Henry’s turned-on musique concrète, and Can’s beat-heavy Krautrock, they have – regardless of the label on which they’ve released their music – pointed the way towards a brand new kind of psychedelia, one that could only come from a band of accomplished musicians who were also obsessive music fans. Drummer Malcolm Catto and bassist Jake Ferguson are the Heliocentrics’ masterminds and producers, and they are obsessive weirdos in today’s musical climate, searching, progressive humans who are often out-of-time with current trends.
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Signing Off is the debut album by British reggae band UB40, released in the UK on 29 August 1980 by Dudley-based independent label Graduate Records. It was an immediate success in their home country, reaching number 2 on the UK albums chart, and made UB40 one of the many popular reggae bands in Britain, several years before the band found international fame. The politically-concerned lyrics struck a chord in a country with widespread public divisions over high unemployment, the policies of the recently elected Conservative party under Margaret Thatcher, and the rise of the National Front party, while the record’s dub-influenced rhythms reflected the late 1970s influence in British pop music of West Indian music introduced by immigrants from the Caribbean after the Second World War, particularly reggae and ska – this was typified by the 2 Tone movement, at that point at the height of its success and led by fellow West Midlands act The Specials, with whom UB40 drew comparisons due to their multiracial band line-up and socialist views.
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Mossy Liquor is the title of a vinyl LP released by Robyn Hitchcock in 1996. The album preceded the release of the Moss Elixir CD by a few weeks, and half of it was made up of demos or alternative versions of the Moss Elixir material.
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Nicole Willis rolls out with her third album made together with The Soul Investigators: Happiness In Every Style. It is bound to send shivers down backs all around the world. As the name suggests, the new album will offer variety and tilt towards a more positive note after the murky Tortured Soul.
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Computer World (German: Computerwelt) is the eighth studio album by German electronic band Kraftwerk, released on 11 May 1981
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